This microphone was designed to be very sensitive and it was throughout this review. The line for the microphone I tested is the brown topmost line. I found the response to be flat overall with a touch of high frequency boost, as is indicated in the graph below. I recorded numerous instruments and my vocals with the SCX-one in my home studio. It worked flawlessly in all applications. I used the SCX-one with Cakewalk 9.02, Samplitude 2496, DDClips Pro, n-Track Studio, and Pro Tracks. My system consists of a Pentium II 300, 128meg RAM, 20 gig HD, running Windows 98. I was sent only the cardiod version for this review.Ĭardioid, HyperCardioid, Omnidirectional, Omnidirectional-presence Lastly, the omnidirectional-presence capsule is recommended for applications that need an increase in high frequency sensitivity. The omnidirectional capsule is recommended for choir/orchestral applications where environmental ambience needs to be included as part of the recording. The hypercardioid capsule is recommended for increased rejection of off-axis sound sources. Audix recommends the cardioid capsule for directional recording or live sound. The choices are Cardioid, Hypercardioid, Omni, and Omni-presence. The SCW-one features four interchangeable capsules that change the type of polar pattern the microphone uses. Well, all appearances aside this microphone performs big with a capital B. My first impression was that it seemed so small. I received the microphone in a little black case from Audix. The SCX-one from Audix is a small transformerless studio condenser microphone that packs a big punch. your best source for information on the Digital Audio Workstation.

Cakewalk Pro Audio 9.02